A Thousand Eyes Beneath the Tide
Installation view of ‘A Thousand Eyes Beneath the Tide’ [물결 아래 천 개의 눈동자], Sea Art Festival, Busan Biennale, Dadaepo, South Korea, 2025.
12 sculptures 3D-printed with PLASTK filament made from recycled bottles, dimensions variable; performance, 2025.
ⒸBusan Biennale Organizing Committee. All rights reserved. (Photo: Changsu Yoon)
Affectus
Installation view of the exhibition ‘Affectus’, Centro Cultural Benjamín Carrión Bellavista, Quito, 2023.
Four-channel video installation, construction struts, four sculptural objects, flexographic plates and radiographic photography. Exhibition text by María del Carmen Oleas.
The Llama That Kindles the Wetland
Installation view of the exhibition ‘The Llama That Kindles the Wetland’, Interactive Museum of Science, Quito, 2025
Film installation, single-channel projection. S16mm film, ceramic, llama hair, cotton gin, spinning machine, dehairing comb, polypropylene sacks, hay.
Pulverizing the World, but Also Spiritualizing Its Dust
Installation view of ‘Pulverizing the World, but Also Spiritualizing Its Dust’, Gasworks Open Studios, London, 2024.
Ostrich feather dusters, plastic fiber mesh, thread, 120mm film photographs, graphite, paper.
Sustenance
Pigmented resin, aluminum plate, steel rivets, velcro straps, stainless steel table, 3D animation and single channel sound.