Paula Proaño Mesías

  1. Pulverizing the world, but also spiritualizing its dust
  2. May the illusion be nourished by the whisper of the wind, not by the sedative modern spell
  3. On trans-spirit, technobodies and the family of Tukã
  4. Chimeras
  5. Hyperbeccus (On transhuman artifacts)
  6. Grecia (On repair mechanisms)
  7. Elizabeth (On surgical musical instruments)
  8. Tukã (On domestication devices)
  9. Íyi (On mystical and sacred objects)
  10. Translucent matter
  11. Studies on Zoo-Physiologic Modification: Grecia
  12. Untitled
  13. Sustenance

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©2024 Paula Proaño Mesías

Affectus






Installation view of the exhibition ‘Affectus’, Centro Cultural Benjamín Carrión Bellavista, Quito, 2023. 
Four-channel video installation, construction struts, four sculptural objects, flexographic plates and radiographic photography. Exhibition text by María del Carmen Oleas.


Pulverizing the world, but also spiritualizing its dust.








Installation view of ‘Pulverizing the world, but also spiritualizing its dust’, Gasworks Open Studios, London, 2024.
Ostrich feather dusters, plastic fiber mesh, thread, 120mm film photographs, graphite, paper. 

Sustenance


Installation view of the exhibition ‘V Edición del Premio Brasil’, Centro de Arte Contemporáneo Quito, 2022.
Pigmented resin, aluminum plate, steel rivets, velcro straps, stainless steel table, 3D animation and single channel sound.

Íyi (On mystical and sacred objects)  







Installation view of the exhibition ‘Currículum Cero’, Galería Ruth Benzacar, Buenos Aires, 2022
Onyx, steel shaft, stainless steel base